Gaëlle Arquez

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Gaëlle Arquez (born 1983) is a French operatic mezzo-soprano.

Life and career[edit]

Arquez was born in Saintes from a father with Spanish origins and a Malagasy mother.[1] After spending her early childhood in Ivory Coast, she returned to Saintes, where at the age of 10 she took piano lessons at the town's conservatory.[citation needed] She graduated in musicology and studied singing at the Conservatoire de Paris. Her teachers included Malcolm Walker, Kenneth Weiss, Jeff Cohen and Susan McCulloch.[2] In 2007 and 2008, she toured France singing the title role in Ravel's L'enfant et les sortilèges. In 2009, she took on the title role in Janáček's The Cunning Little Vixen in a conservatoire production in Paris, which was subsequently also shown at the Théâtre Royal de Wallonie in Liège and the Reims Opera House. She won a number of prizes and scholarships, including the Prix de Chant du Conservatoire national supérieur de musique de Paris in 2009.

Opera[edit]

The focus of her repertoire is on Baroque music on the one hand, and on French classical repertoire on the other - from Lully and Rameau to Berlioz, Gounod, Offenbach and Bizet to Debussy and Messiaen. The singer is also known as a Mozart interpreter and occasionally makes "excursions" into the German, Italian and Czech repertoire.

She has sung at the Opéra de Lille,[3] the Opéra national de Lorraine in Nancy, at the Opéra de Lausanne and the Théâtre du Capitole in Toulouse, at the Opéra de Saint-Etienne [fr], the Opéra de Dijon, the Grand Theatre de Bordeaux and the Royal Opera of Versailles, several times at the Brussels opera house la Monnaie and finally also in Paris. In 2013, she made her debut at the Opéra Bastille and has since sung Monteverdi, Mozart and Verdi roles at this house. That year Arquez also made a guest appearance at the Ópera Nacional de Chile in Santiago de Chile.

2013 also saw her first appearances in German-speaking countries - as Medea in Handel's Teseo at the Oper Frankfurt and as Idamante in Mozart's Idomeneo at the Theater an der Wien, staged by Damiano Michieletto. She continues to sing in Frankfurt, including the title roles in Carmen and Serse as well as the role of Mélisande. In 2015, she took on the title role in Offenbach's La Belle Hélène at the Théâtre du Châtelet in Paris. In the same year she made her debut at the Bayerische Staatsoper in Munich and in 2016 at the Komische Oper Berlin.[4] retrieved 1 February 2021. On 16 October 2016, she made her debut at the Vienna State Opera, in the title role of a new production of Gluck's Armide, sung in the original French version, staged and equipped by a French team composed of Ivan Alexandre (director), Pierre-André Weitz (set) and Bertrand Killy [de] (lighting). Les Musiciens du Louvre from Grenoble, conducted by Marc Minkowski, performed. Audience and press reacted enthusiastically, praising the singer's performance - both acting and vocal.[5][6][7][8]

In summer 2017, she sang the title role in Carmen on the lake stage of the Bregenzer Festspiele.[9]

Concert[edit]

In the concert hall, Arquez stands out in particular with recitals and as a specialist for works by Olivier Messiaen. She has given recitals at the Teatro Marcello in Rome, at the Salle Pleyel and Louvre in Paris, at the Festival de Beaune and at the Messiaen au pays de la Meije [fr], where she was invited by Pierre Boulez in 2012. She has also sung in Villers-sur-Mer and Montfort-l'Amaury, in Neustadt an der Weinstraße and Karlsruhe, and at the Musashimo Cultural Foundation in Tokyo.

Arquez has sung under the musical direction of Pierre Boulez, René Jacobs, Philippe Jordan and Yann Molénat, among others.

Roles[edit]

Bizet:

Cherubini:

Debussy:

Gluck:

Gounod:

Handel:

Humperdinck:

Janáček:

Lully:

 

Massenet:

Monteverdi:

Mozart:

Offenbach:

Rameau:

Ravel:

Rossini:

Verdi:

Recordings[edit]

Awards[edit]

  • 2006: Bourses Musicales of the Zonta Clubs de France
  • 2007: Yamaha Music Foundation of Europe Competition
  • 2009: Prix de Chant du Conservatoire national supérieur de musique de Paris
  • 2009: Wigmore Hall Independent Opera Voice Fellowship

References[edit]

  1. ^ YouTube: Gaëlle Arquez présente son album "Ardente Flamme", retrieved 20 Nov. 2021
  2. ^ Medici.tv: Gaëlle Arquez - mezzo-soprano, retrieved 1 February 2021.
  3. ^ ResMusica: Cinderella in Lille: Modern and timeless, 25 May 2012, retrieved 1 February 2021.
  4. ^ Komische Oper Berlin: Gaëlle Arquez on Komische Oper Berlin
  5. ^ Peter Jarolin: "Armide" at the Staatsoper: Disenchanted Enchantress, in Kurier (Vienna), 17 October 2016, retrieved 1 February 2021.
  6. ^ Ljubiša Tošić: "Armide": A cage full of love warriors. Der Standard (Vienna), 17 October 2016, retrieved 1 February 2021.
  7. ^ Walter Weidringer: Orgies of loveliness in shades of rust and gold. Die Presse (Vienna), 17 October 2016, retrieved 1 February 2021.
  8. ^ Austria Presse Agentur: Homoerotic hijinks: "Armide" premiere at the State Opera. Here quoted from Salzburger Nachrichten, 17 October 2016, retrieved 1 February 2021
  9. ^ Eleonore Büning (22 July 2017). ""Carmen" auf der Seebühne. Ein gischtspritzendes Wasserballett". Frankfurter Allgemeine. Retrieved 1 February 2021.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Gaëlle_Arquez&oldid=1209125722"